| NAME | INSTITUTION | PROJECT |
|---|---|---|
| Brynjar Bandlien | Oslo National Academy of the Arts, Academy of Dance | Recurrences |
| Harpreet Bansal | Oslo National Academy of the Arts | The Vocal Violinist: learning through teaching |
| Camilla Bruerberg | Oslo National Academy of the Arts, Department of Design | Soft Construct. Not the style, but the space |
| Liv Bugge | Oslo National Academy of the Arts, Academy of Fine Art | The Other wild |
| Anneli Drecker | UiT The Arctic University of Norway, Faculty of Fine Arts | The Modern Ancient Voice |
| Erik Dæhlin | Norwegian Academy of Music | Shared space |
| Mette Edvardsen | Oslo National Academy of the Arts, Academy of Dance | Writings in space and time |
| Kristian Thunestvedt Evjen | University of Stavanger, Department of Music and Dance | Modernism in Norwegian |
| Ingri Midgard Fiksdal | Oslo National Academy of the Arts, Academy of Dance | Choreography as collective and affective event |
| Daniel Buner Formo | Norwegian University of Science and Technology, Faculty of humanities | The music of language and language of music |
| Alexander Furunes | Norwegian University of Science and Technology, Faculty of Architecture and Fine Art | Bayanihan as a model for community participation in Post Disaster Reconstruction |
| Ane Graff | Oslo National Academy of the Arts, Academy of Fine Art | Why Matter Matters: Questions of Materiality in the Physical World |
| Raphaël Amael Grisey | NTNU, Faculty of Architecture and Design | Becoming Cooperative Archives |
| Etienne Guilloteau | Østfold University College, Norwegian Theatre Academy | Borders of Representation |
| Ingrid Eriksen Hagen | University of Bergen, Faculty of Fine Art, Music and Design | Sense and Sensibility |
| Jan Peter Hammer | Oslo National Academy of the Arts, Academy of Fine Art | The Dig (Treasure Hunters – The Art of War) |
| Rafal Hanzl | Inland Norway University of Applied Sciences, The Norwegian Film School | Ways of expression: the impact of VFX technology on modern storytelling in film and interactive media production |
| Bjørn Erik Haugen | Norwegian Academy of Music | The Music of Sound |
| Sunniva Storlykken Helland | University of Bergen, Faculty of Fine Art, Music and Design | Breaking Circles |
| Annie Anawana Hobøl | University of Bergen, Faculty of Fine Art, Music and Design | Subtle Encounters |
| Ingvild Holm | Østfold University College, Norwegian Theatre Academy | Space Automatism |
| Elisabeth Holmertz | Norwegian Academy of Music | The Otherness of the self |
| Katrine Køster Holst | Oslo National Academy of the Arts, Department of Art and Craft | Minerals and Natural Phenomena |
| Frederick Howard | Inland Norway University of Applied Sciences, The Norwegian Film School | Creating the Creatives |
| Anne Haaning | UiT The Arctic University of Norway, Faculty of Fine Arts | Half Hidden |
| Finn Iunker | Oslo National Academy of the Arts, Academy of Theatre | «Can you see what I mean?"» |
| Marie Kølbæk Iversen | Oslo National Academy of the Arts, Academy of Fine Art | Neo-worlds: Other-directed potentialities of fright |
| Tina Jonsbu | Oslo National Academy of the Arts, Department of Art and Craft | Untitled (working title: Do I draw with my back to the world?) |
| Silje Marie Aker Johnsen | Oslo National Academy of the Arts, Academy of Opera | A search for an extended physical interpretation of contemporary vocal music and opera |
| Thor-Harald Johnsen | University of Bergen, Faculty of Fine Art, Music and Design | How to grow a band |
| Marte Johnslien | Oslo National Academy of the Arts, Department of Art and Craft | Sensivity as Strategy - Knowing, Non-knowing and the Third Alternative |
| Johan Erik Jutterström | Universitety of Stavanger, Department of Music and Dance | Ng Revisited |
| Edit Kaldor | Østfold University College, Norwegian Theatre Academy | The Many and the Form - Methods for Participatory Practices in Contemporary Theatre |
| Bendik Kaltenborn | Oslo National Academy of the Arts, Department of Design | Drawing Drama |
| Mariam Kharatyan | University of Agder, Faculty of Fine Arts | Interpretation issues of Aram Khacharturian´s piano compositions |
| Christian Kjos | Norwegian Academy of Music | Releasing the "loudie" - harpsichord accompaniment in G. F. Handel’s continuo cantatas |
| Ane Thon Knutsen | Oslo National Academy of the Arts, Department of Design | Tactility in printed matter |
| Jakob Kullberg | Norwegian Academy of Music | Dialogical Composition |
| Edvine Larssen | Norwegian University of Science and Technology, Faculty of Architecture and Design | The potential drama of empty space |
| Inger Cecilie Levy | Inland Norway University of Applied Sciences, The Norwegian Film School | TRAVEL THROUGH TIME:
RECREATING THE CLASSIC SHORT LA JETÉE AS A VIRTUAL REALITY EXPERIENCE |
| Lisa Charlotte Baudouin Lie | Oslo National Academy of the Arts, Academy of Theatre | Hvordan kan teknikker fra sjamanisme, spritisme og vedtlig ritualmagi bidra til å skape nye autenstiske fortellersteder og affektive rom? |
| Marianne Baudouin Lie | Norwegian University of Science and Technology, Faculty of Humanities | Rhetoric Performance Practices and Music-as-speech in Contemporary Classical Music |
| Kristian Lindberg | Norwegian Academy of Music | Transcending the Pianotradition |
| Nadia Lipsyc | Inland Norway University of Applied Sciences, The Norwegian Film School | The Guide’s Trial |
| Andy David Lock | University of Bergen, Faculty of Fine Art, Music and Design | In Place of Idealism: architecture and Photography |
| Tale Næss Lysestøl | Oslo National Academy of the Arts, Academy of Theatre | 1:100 – or to narrate a «we» |
| Janne-Camilla Lyster | Oslo National Academy of the Arts, Academy of Dance | Choreographic poetry: Creating literary scores for dance |
| Bjørn Inge Melås | Norwegian University of Science and Technology, Faculty of Architecture and Design | Becoming the city |
| Cecilie Semec Mikkelson | Inland Norway University of Applied Sciences, The Norwegian Film School | A Contempary Film Image |
| Dragan Miletic | Norwegian University of Science and Technology, Faculty of Architecture and Design | Aerial View in Motion |
| Kjetil Møster | University of Bergen, Faculty of Fine Art, Music and Design | The Electrophonic Saxophone |
| Magnhild Øen Nordahl | University of Bergen, Faculty of Fine Art, Music and Design | Testing Space: Towards a better understanding of the relationship between the physical and the virtual in artistic production |
| Ingfrid Breie Nyhus | Norwegian Academy of Music | A Play with Traditions |
| Solmund Nystabakk | UiT The Arctic University of Norway, Faculty of Fine Arts | Singing with the lute |
| Gunhild Mathea Olaussen | Østfold University College, Norwegian Theatre Academy | Responsive space |
| Jet Pascua | UiT The Arctic University of Norway, Faculty of Fine Arts | Abandon |
| Sabine Popp | University of Bergen, Faculty of Fine Art, Music and Design | Agential Matter (Invisible Landscapes) |
| Erik Friis Reitan | University of Bergen, Faculty of Fine Art, Music and Design | The Teleportation Rhizome |
| Fredrik Rysjedal | University of Bergen, Faculty of Fine Art, Music and Design | Frozen Moments in Motion |
| Merete Røstad | Oslo National Academy of the Arts, Department of Art and Craft | 3 Exercises in Consciousness |
| Franz Petter Schmidt | Oslo National Academy of the Arts, Department of Art and Craft | Textile Traces |
| Håkon Magnar Skogstad | Norwegian University of Science and Technology, Faculty of Humanities | Playing in the manner of Ricardo Viñes: Recreating lost interpretations of works by Debussy and Ravel |
| Berit Norbakken Solset | UiT The Arctic University of Norway, Faculty of Fine Arts | Borderland – seeking the extreme |
| Knut Olaf Sunde | Norwegian Academy of Music | SITE AWARENESS IN MUSIC– recontextualizing a sensation of another place |
| Kjersti Sundland | University of Bergen, Faculty of Fine Art, Music and Design | In The Presence of Phantoms |
| Nils H. Sødal | Oslo National Academy of the Arts | Atoning the split mind - an artistic approach to performance psychology |
| Albert Cheng-Syun Tang | University of Bergen, Faculty of Fine Art, Music and Design | Reflective Roaming - Design, ubiquitous fantasy, everyday reality |
| Hilmar Thordarson | Norwegian University of Science and Technology, Faculty of Humanities | ConDiS - Conducting Digital System |
| Thorolf Thuestad | University of Bergen, Faculty of Fine Art, Music and Design | Emotional machines: composing for unstable media |
| Lisa Torell | UiT The Arctic University of Norway, Faculty of Fine Arts | Potential of the Gap |
| Jennifer Torrence | Norwegian Academy of Music | Percussion (Theatre): Mastering Inter(nal) disciplines |
| Craig Thomas Wells | University of Bergen, Faculty of Fine Art, Music and Design | Emergent Ears - Playing the multi channel system and becoming played by it |
| Stian Westerhus | Norwegian University of Science and Technology, Faculty of Humanities | The Shape of Concerts to Come |
| Friederike Wildschütz | University of Stavanger, Department of Music and Dance | The Voice of the Piano |
| Emma Wolukau-Wanambwa | University of Bergen, Faculty of Fine Art, Music and Design | Colonial Exhibitionism |
| Sanae Yoshida | Norwegian Academy of Music | Det mikrotonale klaver - og pianisten som får det til å stemme |
| Juliane Zelwies | UiT The Arctic University of Norway, Faculty of Fine Arts | The artist, the market and the public. A set of (self)portraits, contemporary and globalized" |
| Ida Falck Øien | Oslo National Academy of the Arts | Transactional Aesthetics, - and so can you! |
| Espen Aalberg | Norwegian University of Science and Technology, Faculty of Humanities | Gamelan - as inspiration for new music |
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