Until relatively recently, the highest qualification an art school could offer was a master's degree, with doctoral study reserved for art historians and theorists writing about art rather than making it. The emergence of the practice-based PhD — sometimes called a PhD by Practice or a Doctorate in Fine Art — changed that landscape across Europe.
From Apprenticeship to Doctorate
Art training historically followed an apprenticeship model: skills passed from master to student with little formal theorisation. As art schools merged into universities through the late twentieth century, pressure grew to fit fine art education into the same degree structures as other disciplines — including doctoral study.
The Bologna Process and Artistic Research
The Bologna Process, which harmonised European higher education from 1999 onwards, indirectly accelerated this shift by standardising degree levels across the continent. Art schools that wanted to offer third-cycle (doctoral) qualifications needed a model that fit the framework, and "artistic research" provided the conceptual scaffolding to justify a practice-based route to the PhD.
What a Practice-Based PhD Looks Like Today
A typical programme combines a substantial body of creative work — an exhibition, a film, a series of compositions — with a written component situating that work within a research question, methodology and existing discourse. Supervision often pairs a practising artist with an academic supervisor, and examination involves both a viva and an assessment of the creative output itself.
Challenges Facing the Model
Critics point to inconsistent standards between institutions, the difficulty of training examiners to assess work outside their own medium, and the risk that the written component becomes a bureaucratic add-on rather than an integral part of the inquiry. Even so, the practice-based PhD has become a standard route into academic careers for artists across much of Europe, and institutions continue to refine how it is taught and assessed.
About Dr. Mira Solheim
Dr. Mira Solheim is an art historian and writer focused on artistic research, Nordic visual culture and the intersection of art with technology and film. She writes for Artistic-Research.no on methodology, institutions and practice.

